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Teaming Atlanta rapper Jermiside with Dublin-based beat master The Expert, The Overview Effect is a potent rap experience that melds lyrical themes inspired by Marvin Gaye’s political masterpiece What’s Going On? with psych-tinged golden era-influenced hip-hop production. Closing the session on a determined note, the penultimate track “FOREVER” opens with sampled snatches of KRS-One and spotlights Neuro putting ultimate faith in the idea of weathering life’s storms with confidence, persistence, and the perspective to view the journey as a marathon not a sprint.
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“Hard to tell who love me when everything framed around what you can do for me,” laments the rapper on “BLANK CHECKS” as he digs into how money can warp motivations.
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Entirely produced by GEECHEE SUPREME-a behind-the-boards duo consisting of DOMO SUPREME and Neuro-the album’s fueled by a series of lush string loops that nod to deep ’70s soul influences. Raised in South Carolina but now located in Texas, rapper Ifé Neuro‘s Shadows On The Wall delves into the dynamics of how dreams can manifest themselves in physically deceptive ways.
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“But it’s alright ’cause I still got one life/ I been robbed for mil’ from shady-esque deals/ Swear I used to feel like getting motherfuckers killed/ ‘Til I realizеd what God gives no man can steal.” Enhancing the project’s throwback feel, the guest roster peaks with rapper Eiht (from Compton’s Most Wanted) starring on an update of The Crusaders’s late’-70s “Street Life” lament, and “Crack Party” uniting members of Tha Alkaholiks, Digital Underground, Jurassic 5, and the mighty Hieroglyphics collective for a West Coast all-stars posse cut. “I been down on my luck for a while now,” says Fatlip. Backed by lively ripples of static, early Madlib-produced standout “Gangsta Rap” prompts the rappers to swing from reminiscing over high school hijinks to commenting on censorship, while “Hollywood Celebrity” relays reflections on fame and success. 1 Demos, a project from West Coast wordsmith Blu and The Pharcyde’s Fatlip that’s released via the Tokyo-based Guilty By Association label.
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“Spit this shit better than Shakespeare,” says Moor Mother on the opening title track, before embracing the song’s snarling bass tones and grinding percussive patterns to mock, “You always ’bout your crisis/ How you a narcissist but righteous?” Key contributing supporting roles on the project include Lafawandah bringing deftly-fractured vocals to the glowering “Totally Spies,” Palestinian producer Muqata’a stepping up with a co-production assist on the discordant breakbeat science of “Candace Parker,” and the frantically-charged voice of New York’s Ase Manual playing the role of an emotive coda on closer “Lead Level 15.” DälekĪ warm sense of nostalgia prevails throughout Live From The End of The World, Vol.
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Patches of beautifully distorted noise influences abound as the Philadelphia-based duo of vocalist Moor Mother and producer DJ Haram twist hip-hop through an electronic music lens to irresistibly impactful effect.
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